Subject guide

IB Film Internal Assessment guide

The IB Film Film portfolio pages (three production roles) is graded against 3 criteria worth 12 marks total. This guide explains exactly what each criterion expects and what examiners look for at each mark level.

3 criteria12 marks totalSL & HL available

Assessment criteria

Examiners score each criterion independently using the mark band descriptors below.

CriterionNameMarks
Portfolio Pages — Role 1Portfolio Pages — Role 14
Portfolio Pages — Role 2Portfolio Pages — Role 24
Portfolio Pages — Role 3Portfolio Pages — Role 34
Total12

Criterion-by-criterion breakdown

Portfolio Pages — Role 1

Portfolio Pages — Role 1

0-4

What this criterion assesses

For the first production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 1 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

Describing what was done without evaluating how it shaped your understanding of the roleResearch missing (no films, theories or practitioners that informed the role)Filmmaker intentions never stated, so choices float unanchoredPage over-filled with screenshots, leaving no room for evaluation

Portfolio Pages — Role 2

Portfolio Pages — Role 2

0-4

What this criterion assesses

For the second production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 2 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

Describing what was done without evaluating how it shaped your understanding of the roleResearch missing (no films, theories or practitioners that informed the role)Filmmaker intentions never stated, so choices float unanchoredPage over-filled with screenshots, leaving no room for evaluation

Portfolio Pages — Role 3

Portfolio Pages — Role 3

0-4

What this criterion assesses

For the third production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 3 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

Describing what was done without evaluating how it shaped your understanding of the roleResearch missing (no films, theories or practitioners that informed the role)Filmmaker intentions never stated, so choices float unanchoredPage over-filled with screenshots, leaving no room for evaluation

Ready to get feedback on your Film Film portfolio pages (three production roles)?

Upload your draft and get criterion-by-criterion feedback using the exact Film rubric — the same way your examiner will mark it.

Get Film IA feedback →