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Criteria reference

Film IA Criteria Reference

This Film IA criteria reference is not a complete subject guide. It shows the 3-criterion, 12-mark model currently configured in iBacalao for Higher Level (HL) and Standard Level (SL), but it does not yet have a reviewed subject-specific evidence pack. Confirm the task, format, limits, and session rules in your current subject materials.

The short answer

Criteria reference for the Film assessment model currently configured in iBacalao. This is not a reviewed subject-specific guide; confirm task, format, limits, and session rules in current subject materials.

3 criteria12 marks totalSL & HL available

Film Internal Assessment: what criteria are configured?

The table below is the 3-criterion, 12-mark model currently configured in iBacalao. Treat it as a reference until the subject-specific evidence pack has been reviewed.

CriterionNameMarks
Portfolio Pages — Role 1Portfolio Pages — Role 14
Portfolio Pages — Role 2Portfolio Pages — Role 24
Portfolio Pages — Role 3Portfolio Pages — Role 34
Total12

How do Film IA criteria work?

Each criterion describes a different part of the assessment, and its mark-band descriptors explain what evidence and reasoning earn credit.

Portfolio Pages — Role 1

Portfolio Pages — Role 1

0-4

What this criterion assesses

For the first production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 1 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

  • Describing what was done without evaluating how it shaped your understanding of the role
  • Research missing (no films, theories or practitioners that informed the role)
  • Filmmaker intentions never stated, so choices float unanchored
  • Page over-filled with screenshots, leaving no room for evaluation

Portfolio Pages — Role 2

Portfolio Pages — Role 2

0-4

What this criterion assesses

For the second production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 2 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

  • Describing what was done without evaluating how it shaped your understanding of the role
  • Research missing (no films, theories or practitioners that informed the role)
  • Filmmaker intentions never stated, so choices float unanchored
  • Page over-filled with screenshots, leaving no room for evaluation

Portfolio Pages — Role 3

Portfolio Pages — Role 3

0-4

What this criterion assesses

For the third production role: a compelling, discerning evaluation of how your research, creative explorations and production work — led by your filmmaker intentions — shaped your understanding of this role, evidenced across at most 3 portfolio pages.

Mark band descriptors

Criterion A: Portfolio pages — Role 3 (0–4). To what extent does the student evaluate how their research, creative explorations and production work, led by filmmaker intentions, have shaped their understanding of the chosen film production role?
- 0: The work does not reach a standard described by the descriptors below.
- 1 (limited): The portfolio pages and supporting evidence provide an undeveloped or incomplete outline of the student's research, creative explorations and production work, or the student's understanding of the specific film production role is inaccurate, irrelevant or unclear.
- 2 (adequate): The portfolio pages and supporting evidence provide a description of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a mostly relevant or appropriate understanding of the specific film production role.
- 3 (good): The portfolio pages and supporting evidence provide a detailed and informative explanation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to an accurate and relevant understanding of the specific film production role.
- 4 (excellent): The portfolio pages and supporting evidence provide a compelling and discerning evaluation of how the student's research, creative explorations and production work, led by their filmmaker intentions, contributed to a highly appropriate understanding of the specific film production role.
Note: Maximum 3 portfolio pages per role with a balance of text and visuals, plus sources. The film reel (criterion B, 4 marks per role) is assessed from the video and is NOT graded in this review.

Common mistakes

  • Describing what was done without evaluating how it shaped your understanding of the role
  • Research missing (no films, theories or practitioners that informed the role)
  • Filmmaker intentions never stated, so choices float unanchored
  • Page over-filled with screenshots, leaving no room for evaluation

Sources & verification

Primary-source references used to verify key assessment facts on this page. Last source check: September 22, 2026.

The exact subject guide for Film is the authority for the task, criteria and limits. Some IB subject guides do not have a stable public URL, so this page names the configured assessment session and links the official IB update hubs instead of fabricating a direct source link.

Ready to review your Film Film portfolio pages (three production roles)?

Use the dedicated review workflow to check your draft against the configured Film criteria for this assessment session.

Review Film draft →

Written and cross-checked by Diploma Programme graduates: Alexander (41), Alejandro (40), Martina (40), Victoria (38), Martin (35), Maria (34)

Checked against official IB guidance · Editorial policy